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Spiel Days Gone [PS4]. Preis ab 24,94 Euro (). Jetzt meist versandkostenfrei kaufen! „Real Gone“ ist der unvorhersehbare Nachfolger zu den atmosphärischen und konzeptuellen Alben „Alice“ und „Blood Money“, die beide von den Kritikern. Real Gone. Der Artikel ist in folgender Variante leider nicht verfügbar; Keine Abbildung vorhanden; Flash Player. Für größere Ansicht Maus über das Bild ziehen. Übersetzung im Kontext von „real gone“ in Englisch-Deutsch von Reverso Context: (Real Gone Music) 12 tracks - re-release of the album first released on. Top-Angebote für Englische's vom Real Gone-Musik-CD online entdecken bei eBay. Top Marken ✅ Günstige Preise ✅ Große Auswahl.

Be real or be gone

„Real Gone“ ist der unvorhersehbare Nachfolger zu den atmosphärischen und konzeptuellen Alben „Alice“ und „Blood Money“, die beide von den Kritikern. I don't have time for fake friends anymore. Either be real, or be gone.. ✌️🤓 #​ruthless #ruthlessnessneeded #goodtoberuthless #instashot #instapic #king. Entdecken Sie Veröffentlichungen von Real Gone Lovers auf Discogs. Kaufen Sie Platten, CDs und mehr von Real Gone Lovers auf dem Discogs-Marktplatz.

Real Gone Edit Label. Real Gone Profile:. Real Gone is an UK budget label, active under this name from to Please note that there are not enhanced in the discogs sense.

Releases are often manufactured by www. Real Gone is no more the label in this case. Please add Real Gone Music Company as label for those releases.

But I can assure you that the ones I own have the same sound quality of the original CDs they were probably copied from those ones.

With the big advantage of low price, and small space to keep them. Reply Notify me 2 Helpful. Real Gone is yet another grey market public domail reissue label.

Most of their releases are multi-disc jazz and blues compilations. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

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Think Herbie Hancock's '60s Blue Note recordings gently polished with a soul jazz sheen; this is some tasty stuff that's been hard to find for way too long.

The Sights and Sounds of Black Power , which place both the Black Jazz label and this album in a broader musical and societal context.

Click to read more The Awakening were the only 'group' recorded by Black Jazz, for which they made two albums; those two releases happen to be among the most collectible in the label's entire catalog, which, given the value Black Jazz titles command in the open market, gives one an idea just how sought-after these records are.

Recorded in , Hear, Sense, and Feel marked the band's debut, and featured the same line-up that played on next year's Mirage. The other members of The Awakening, on the other hand, hailed from the city's soul jazz scene, specifically Young Holt Unlimited, for whom co-leaders trumpeter Frank Gordon and keyboardist Ken Chaney played trombonist Steve Galloway played on Melvin Jackson's soul jazz classic Funky Skull.

And it is that sweet spot, somewhere between the free jazz and Afrocentric explorations of the Art Ensemble and the rhythm-heavy soul jazz sound being recorded at Chicago-based labels like Brunswick and Cadet, that Hear, Sense and Feel lands.

Which explains why this album sells for hundreds of dollars online if you can find it at all. The Sights and Sounds of Black Power , that set the scene for both the label and the band.

A lost gem worthy of all the attention we think this reissue is going to get! Of all the artists who recorded for the Black Jazz label, keyboardist and composer Doug Carn was the most prolific, releasing four albums for the imprint.

Along for the ride are a stellar cast of players, including trumpeter Charles Tolliver, co-founder of the Strata-East label; saxophonist George Harper, who played with Herbie Hancock and Jimmy Smith among others; trombonist Garnett Brown, who appears on albums by Roland Kirk, Albert Ayler, and Art Blakey among his hundreds of album credits; tuba player Earl McIntyre, whose discography spans from Carla Bley to the Band; and drummer Alphonse Mouzon, founding member of Weather Report.

Produced for reissue by Real Gone's own Gordon Anderson and noted jazz archivist Zev Feldman, and remastered by Mike Milchner at Sonic Vision, this beautiful, uplifting album comes with a special surprise: liner notes by Pat Thomas, author of Listen, Whitey!

The Sights and Sounds of Black Power , that feature excerpts from a freewheeling interview recently conducted with Doug Carn himself! Purple vinyl pressing limited to copies!

Clint Eastwood? That Clint Eastwood? Well, sure'Clint has demonstrated a deep love and aptitude for music as both an actor and a director e.

And since Clint's 90th birthday falls on May 31 this year, we've pressed up copies of the LP in red vinyl as a little birthday present for his fans.

Errol Dunkley: Darling Ooh! This totally unclassifiable and, by the way, exceedingly rare album was no mere blend of rock and jazz influences.

Airto played with probably the three most legendary fusion groups in jazz history, and later released a bunch of albums, many for the CTI label.

But it would be hard not to label this beautiful record as his crowning achievement. Our proud Real Gone reissue features the original gatefold cover art, and comes in an ocean blue vinyl pressing limited to copies.

Fischer operating as Musical Director. And those liner notes we mentioned previously? They come with some pithy McDaniels quotes that confirm his revolutionary fervor remained unquenched till his death in It's hard to overstate the importance of Fanny's debut album.

For the first time, a group of women sisters June and Jean Millington, Alice De Buhr and Nickey Barclay wrote and sang their own songs, played their own instruments and, perhaps most importantly, rocked just as hard as any male band out there.

And, as the first all female band signed to a major label Reprise and with superstar producer Richard Perry at the board, these four women became perhaps L.

But, without a reference point with which to review them, the rock press was less than kind, often dismissing them as a novelty act.

Fanny would have to become that reference point, and so they did for the generations of female rockers to come after them, from Joan Jett to Girlschool to Courtney Love and beyond.

They were truly the Godmothers of Chick Rock. Now, Real Gone Music is proud to reissue, for the first time ever on LP, the self-titled debut release from Fanny, complete with the original gatefold album art and in a white vinyl pressing limited to copies.

Grrl power starts here!

Think Herbie Hancock's '60s Blue Note recordings gently polished with a soul jazz sheen; this is some tasty stuff that's been hard to find for way too long.

The Sights and Sounds of Black Power , which place both the Black Jazz label and this album in a broader musical and societal context.

Click to read more The Awakening were the only 'group' recorded by Black Jazz, for which they made two albums; those two releases happen to be among the most collectible in the label's entire catalog, which, given the value Black Jazz titles command in the open market, gives one an idea just how sought-after these records are.

Recorded in , Hear, Sense, and Feel marked the band's debut, and featured the same line-up that played on next year's Mirage.

The other members of The Awakening, on the other hand, hailed from the city's soul jazz scene, specifically Young Holt Unlimited, for whom co-leaders trumpeter Frank Gordon and keyboardist Ken Chaney played trombonist Steve Galloway played on Melvin Jackson's soul jazz classic Funky Skull.

And it is that sweet spot, somewhere between the free jazz and Afrocentric explorations of the Art Ensemble and the rhythm-heavy soul jazz sound being recorded at Chicago-based labels like Brunswick and Cadet, that Hear, Sense and Feel lands.

Which explains why this album sells for hundreds of dollars online if you can find it at all. The Sights and Sounds of Black Power , that set the scene for both the label and the band.

A lost gem worthy of all the attention we think this reissue is going to get! Of all the artists who recorded for the Black Jazz label, keyboardist and composer Doug Carn was the most prolific, releasing four albums for the imprint.

Along for the ride are a stellar cast of players, including trumpeter Charles Tolliver, co-founder of the Strata-East label; saxophonist George Harper, who played with Herbie Hancock and Jimmy Smith among others; trombonist Garnett Brown, who appears on albums by Roland Kirk, Albert Ayler, and Art Blakey among his hundreds of album credits; tuba player Earl McIntyre, whose discography spans from Carla Bley to the Band; and drummer Alphonse Mouzon, founding member of Weather Report.

Produced for reissue by Real Gone's own Gordon Anderson and noted jazz archivist Zev Feldman, and remastered by Mike Milchner at Sonic Vision, this beautiful, uplifting album comes with a special surprise: liner notes by Pat Thomas, author of Listen, Whitey!

The Sights and Sounds of Black Power , that feature excerpts from a freewheeling interview recently conducted with Doug Carn himself!

Purple vinyl pressing limited to copies! Clint Eastwood? That Clint Eastwood? Well, sure'Clint has demonstrated a deep love and aptitude for music as both an actor and a director e.

And since Clint's 90th birthday falls on May 31 this year, we've pressed up copies of the LP in red vinyl as a little birthday present for his fans.

Errol Dunkley: Darling Ooh! This totally unclassifiable and, by the way, exceedingly rare album was no mere blend of rock and jazz influences.

Airto played with probably the three most legendary fusion groups in jazz history, and later released a bunch of albums, many for the CTI label.

But it would be hard not to label this beautiful record as his crowning achievement. Our proud Real Gone reissue features the original gatefold cover art, and comes in an ocean blue vinyl pressing limited to copies.

Fischer operating as Musical Director. And those liner notes we mentioned previously? They come with some pithy McDaniels quotes that confirm his revolutionary fervor remained unquenched till his death in It's hard to overstate the importance of Fanny's debut album.

For the first time, a group of women sisters June and Jean Millington, Alice De Buhr and Nickey Barclay wrote and sang their own songs, played their own instruments and, perhaps most importantly, rocked just as hard as any male band out there.

And, as the first all female band signed to a major label Reprise and with superstar producer Richard Perry at the board, these four women became perhaps L.

But, without a reference point with which to review them, the rock press was less than kind, often dismissing them as a novelty act.

Fanny would have to become that reference point, and so they did for the generations of female rockers to come after them, from Joan Jett to Girlschool to Courtney Love and beyond.

They were truly the Godmothers of Chick Rock. Now, Real Gone Music is proud to reissue, for the first time ever on LP, the self-titled debut release from Fanny, complete with the original gatefold album art and in a white vinyl pressing limited to copies.

Grrl power starts here! But two key individuals were still in the fold. Once again, the orchestration proved too much for the then-current edition of the band except for vocalist Dick Whetstone , so Axelrod brought in The Wrecking Crew in the persons of guitarists Howard Roberts and Lou Morrell, bassist Carol Kaye, keyboardist Don Randi, and drummer Earl Palmer.

Armed with that formidable line-up, Axelrod brought his trademark blend of psychedelic rock, jazzy orchestration and avant-garde touches to full fruition, creating an album that sounds fresh and cutting-edge over 50 years later.

Was his music folk? The answer was, of course, that it was all of those things. Robbie Basho was one of the big three American acoustic guitar innovators, John Fahey and Leo Kottke being the other two.

Basho was the least commercially successful of the three, but his influence and reputation has steadily grown since his untimely death in at the age of And with good reason; for Basho's deeply spiritual approach, intellectual rigor, and formal explorations among his goals was the creation of a raga system for American music , present a deeply compelling, multi-faceted artist.

Basho was actually a college friend of John Fahey, and his early recordings like Kottke's were for Fahey's Takoma label. Following Fahey 's move to Vanguard, Basho followed suit, and released Voice of the Eagle and Zarthus for the label in and , respectively his most commercially successful records were made for the Windham Hill label later in the decade.

Flash forward to Vanguard contacted guitarist and long-time Basho champion Glenn Jones with the intriguing news that an unreleased Robbie Basho album session had recently been found, on a tape that, alas, lacked any real documentation.

It was only 12 years later, when Jones, in the process of researching the liner notes for this release, discovered the truth: that not just the mysterious tape but both Voice of the Eagle and Zarthus were the result of one marathon session in or recorded in New York City by Vanguard staff engineer Jeffrey Zaraya.

Songs of the Great Mystery'The Lost Vanguard Sessions, then, takes its place as the third of the triumvirat of albums Basho recorded for the label, and it is their equal in every way, exploring, in particular, some of the same Native American themes found on Voice of the Eagle.

Some of the tunes showed up on later albums in much different forms; 's Visions of the Country featured 'A Day in the Life of Lemuria' re-titled 'Leaf in the Wind' and 'Night Way,' and 'Laughing Thunder, Crawling Thunder' went through various permutations before appearing on 's Rainbow Thunder as 'Crashing Thunder.

Vanguard briefly put these sessions up digitally when they were located, but Real Gone Music's release represents the first time they have come out in any physical form and the alternate take of 'A Day in the Life of Lemuria,' also discovered by Jones, has never been heard anywhere.

Featuring track-by-track annotation, rare photos including Basho's own handwritten notes found in the tape box , and remastering by Mike Milchner of SonicVision, Songs of the Great Mystery'The Lost Vanguard Sessions is a timely release heralding the release of a new documentary and an upcoming Basho box set.

Available on CD or on a double-LP set pressed in clear vinyl limited to copies at Gotta Groove Records and housed inside a gatefold jacket.

A great American artist, finally getting his due! These titles are overly compressed and very harsh sounding. Mastering is substandrd. Clipping is a big issue with many of these releases.

Some discs won't even play properly due to weird mastering glitches. For example some tracks listed on the album covers are either incomplete, completely missing or replaced with silence.

I've heard approximately 20 of Real Gone's multi-disc compilations, and every single one of them had some issues mentioned above. I'd suggest you to avoid these releases.

Blue Cat , Charly Records. Sell This Version. Real Gone. Three Classic Albums Comp 2 versions. Three Classic Albums Vol.

Eight Classic Albums Comp 3 versions. Twenty Classic Albums Comp 2 versions. Eight Classic Albums Comp 2 versions.

Les Baxter Vol. Eight Classic Albums - Vol. Seven Classic Albums Vol.

Be Real Or Be Gone Video

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